June 28 - July 3 - Amboseli, Kenya
June 28 – July 3, 2008 – Amboseli, Kenya
So I've not written for several days as we're staying in a camp just outside the gates of Amboseli National Game Park. Our hosts are Mike and Judy Rainy, Americans who have lived in Kenya for 42 years. Mike is fluent in Kimaa – the language of the Maasai and Samburu – and both he and Judy speak Swahili. I first met them when I studied in Kenya in 1987 when I was 20 years old. They introduced me to both the love of animal behavior and ecology, but also to the pastoral culture of the Samburu.
Several of the Samburu I met when I was a student are here at camp, including Pakuo who was a young man with a new wife when I met him. He now has three wives and 16 children. He and I talked about how that worked. Two wives live together and move with the cattle, sheep, and goats that they tend to as that's what pastoralists do. The third wife does not move around since she has a compound near all of the wives' children's school. In the past, the entire family would have moved as needed with the changes in seasons and rains, but now that the children are attending school, there needs to be at least one place with stability so she becomes the head mama. Pakuo works with the Rainys when they have clients and goes back North to Samburuland regularly. With his income and the income that the wives make, the family affords to put the kids through school (no free educations here, even for primary schools).
But I am getting ahead of myself. First, to describe where we are. Our camp is not the type of camping that most do back home, with small tents in which you sleep on the ground on a thin pad. This is a permanent camp. Our tent has three ornate, metal-framed beds with firm and comfortable mattresses, each covered with thick blankets and quilts with elephants decorating them. There ceilings are at least eight feet tall – no crawling into this tent, but walking in it upright and putting clothing on the closet rack in one corner and the camera equipment on the night stand. Basically, the tent is a wonderful hotel room. That said, there is no electricity – nights are lit by kerosene lanterns – and no running water. Outside the back door of the tent is the choo (toilet in Swahili) which is a regular toilet seat propped up on a wooden box that drops into a deep latrine-like hole. It's in a tent specially designed for this purpose, as is the tent that is next to it, the shower tent. The showers are run by gravity. The camp employees ask you when you want a shower and they bring you a bucket of hot water that's suspended up in the air on the outside of the tent. The person showering is on the inside standing on a wooden platform. There is a showerhead with an on-off valve and you do a ship-board shower, getting wet and turning off the water, sudsing up, then turning the water back on to rinse. It's amazing how little water you really need to get clean and refreshed – one bucket is enough for two of us. I think of the consumption of water we use at home for a shower or bath and am appalled!
When I say we're in a camp outside the park, it's not as if we're in a suburban neighborhood. Well, unless you consider Maasai bomas (family compounds) that are a ten minute drive away a suburb. My front yard in camp is a large stretch of field that's redish-brown Kenyan soil with patches of yellow straw-like grass growing on it. This is dotted with Acacia trees. About 100 yards off is a forest of acacia trees. The horizon is full as the view is of Mt. Kilimanjaro. Often this time of year the mountain is shrouded in clouds, but our entire stay we had clear views of her from bottom to top. There was a cloudy day or two when the mountain was hidden, but by afternoon the skies cleared up and the sun sets made the famous snows of Kilimanjaro pink. Each morning I knew that it was time to get up when I heard the birds singing in the trees outside. I got up and sat in the chair on the front "porch," sipped hot chai, and watch the sun come up, lighting the skies with brilliant oranges and pinks. I photographed, read, or sketched the mountain as the odd wildebeest or Thomson's Gazelle wandered ahead in the distance having some morning grass to eat.
There were a couple of days where we went out to watch wildlife. We saw elephants, hippos, ostriches, lions, bustards, eagles, vultures, jackals, hyena, crowned cranes, cows, sheep, goats, and more. While the park itself is supposed to be off limits to the Maasai cattle, the government never followed through on its promise to build bore holes to get water to the animals outside of the park. As many of the area's watering holes fall in the park's boundaries, the Maasai ignore the rules and take their livestock into the park to drink and eat grass. This competition is not necessarily good for the wild game, but as there is little choice until there is more water available outside the boundaries, it is a coexistence that is tolerated.
Other days we did not search for game, but went to visit Maasai bomas. A boma is a circular compound that houses an extended family. There is a gate that encloses all of the houses meant to keep unwanted predators out and away from the people, but perhaps more importantly, away from the livestock who live in the center of the compound. This fence is constructed of branches cut from thorn trees and would only be painfully penetrated. Inside the boma there are usually about 5-10 houses. The women build the houses and they are arranged in a particular order. The first wife of the head of the boma has her house on the right as you enter the gate. The second wife has her house to the left of the gate. Beyond that, I'm not really sure of the order, but do know that it's proscribed and that they all know who lives where even when visiting another family's boma.
We first visited the neighboring Boma one afternoon, just before sunset. We were welcomed in and shown around. The women were dressed in bright khangas, colored rectangles of fabric sold all over East Africa. The Maasai favor patterns with red, orange, yellow, blue, and black this season. They were all ornately accessorized with beaded collars, earrings, and bracelets. One woman took us into her home. The homes are constructed of sticks and mud and topped with a mixture of mud and dung. Although that sounds smelly, in fact cow dung is mostly just processed grass, and so it's got a pleasant, earthy smell, not a poopy one. The dung also makes the houses waterproof. The houses are rectangular and only about four and a half or five feet tall inside, so you have to stoop as you enter the narrow doorway and hallway that lead into the center of the house. Inside there are two or three rooms. There is a room for the wife, another for the children, and sometimes a third that is a kitchen. Other times, the kitchen is in between the two little rooms. Each room has a platform that is about a foot off of the ground and is covered in cow hides and is quite comfortable. In this home there was also a foam mattress. In Samburuland, the house I stayed in when I was a student also housed the baby goats and sheep so that their mothers would not be able to nurse them in the night, saving the milk for the humans to control. Here, the babies were in a separate pen from their mothers, but outside of the house.
We also toured around the boma, watched the livestock come in from a day out at the watering holes and feeding, and Henry and I tried our hand at milking a cow. I must say I could use some practice! Henry was in love with all of the animals and when one of the men in the compound found out, he invited Henry to go out herding goats the following day.
"Cows!" insisted Henry, and the man agreed. We set a date for 9:00 the next morning for Brad and Henry to spend the morning taking cows to the watering hole. Henry was so excited he could hardly sleep that night and spent all evening practicing ways he would be able to keep the cows in line.
The next day we showed up a bit late – at 9:30 – and lucky thing. We arrived just in time for a wedding! In Maasai tradition, the bride moves to her new husband's compound. She leaves behind her entire family and all of her friends to begin a life with a new clan whom she likely does not know at all, including her new husband, until she shows up on her wedding day. We pulled up to the boma just as she stood at the gate with all of her belongings in a large metal blue suitcase. Several women from her home accompanied her to the entrance. They stood there, and inside the gate were the women of the grooms family. All were wearing their brightest khangas and spectacular beadwork, and to welcome the bride the all lined up to sing a song of blessings (Pakuo translated for me). The bride waited outside while the song went on and then was welcomed slowly inside the compound where she stood surrounded by the women who continued to sing. Eventually she was taken inside her husband's home, accompanied by a woman who I believe was her new mother-in-law.
Now I grew up hearing that a bride's wedding day was the happiest day of her life. In this case, the opposite might be true. Not only is this girl (usually around 17-19 these days) taken far away from anything that's familiar to her, she's put into a situation that is full of people who are equally unfamiliar. Her husband is most often not a known person until this day and, well, think about it. It's all pretty scary. In addition, her entry into her new home was not a quiet one, but everyone was there singing and staring, including on this occasion these three odd wazungu (white foreigners). The groom's family was happy to have us there as guests, not only to join in the festivities, but also to photograph the event for them. Next thing I knew, I was pushed into the center of the commotion and taken into the bride's bedroom to say hello. She was sitting on the bed, legs stretched out in front of her, with two older women there keeping her company. They were not, however, sharing pleasantries or chatting. The bride, still in her beautiful wedding khangas and beads, was sitting there in a state of what looked like shock. She was almost catatonic. Being asked to sit with her and greet her was fine by me, but trying to engage her in conversation was not successful – she was just in a daze.
I was then taken to the room at the other side of the house opposite a narrow hallway. In it I found two young girls, naked but covered by blankets. One was ten and the other was twelve and that morning they had been initiated. I asked why the two events occurred simultaneously and was told it made sense financially since they could throw one party for all three events and since all the same relatives would be attending anyway, it made sense to combine it all. Kind of like knowing that a couple of girls were going to have bat mitzvahs and deciding that your older brother's wedding could also be that same weekend so that the out of town relatives would only have to come to town once. You could also throw one lavish party rather than three smaller ones. Sounds like a good plan to me.
Only, the whole idea of female initiation was something that I am haunted by as it involves a severe form of circumcision in which the girl's clitoris is removed and her vagina is sewn up to be a very small hole. While I knew this practice went on and talked about it twenty years ago when I was a student, I was assured then that as women were getting better educated, the practice would die out. Faced with two pre-adolescent girls who had just had this surgery performed on them by a Maasai woman in the dusty home, I was trying hard not to be judgmental. I was also confused since when I studied in Kenya I was taught that the circumcision was done to the bride and then her recovery took place at her husband's compound, with the women in the new family nursing the bride back to health following the procedure. I asked the groom about how initiation worked here, and he explained it to me.
He said that there is a caste of Maasai known as morani, or warriors. These are boys who range in age from approximately 11 to 15 who are initiated and then spend several years learning how to be adults in the community. They also spend much of their time dressed up in beautiful red blankets, plait their hair and color it red-orange with ocre, and often dance and sing at night. They're the ones often featured on post cards and in coffee table books about Kenya. Basically, their morani stage in life is like the Maasai version of college and frat parties. The groom explained that they often danced at night and that the unmarried girls danced with them. "Of course," he said, "the morani have sex with the girls. Since it is against our culture to get pregnant if you are not circumcised, it is necessary to circumcise girls when they are younger. That way, if they get pregnant, at least they are circumcised. They will get married later."
His matter-of-fact explanation shocked me. I knew about the morani having relationships with young girls, but 20 years ago I'd been told that the girls were schooled by their grandmothers how to NOT get pregnant, which I took to mean that they knew how to experiment but not have intercourse. It seems that this is no longer the case. What shocked me was that rather than not have sex with young girls and not get them pregnant, they choose to perform this operation on girls at a much younger age in order that they can then have sex with them at a young age. I must say as much as I try to set aside my own cultural bias, I find this difficult to understand and accept. As I write I wonder if to share this at all since I am basing my opinions on this one encounter as well as conversations with my Samburu friends, and as an outsider I don't have a complete picture of something that is deeply imbedded in a culture that is very different than my own. I am also aware that my writing may influence others' opinions who have not been here and have no other information on which to base their own opinions. But when I think about deleting the last two paragraphs, I fear that my description of the wedding will be one that includes the beauty of the clothing, beads, singing and dancing, and my photos back up this beauty. I did not want to romanticize this experience, nor do I want to make it out to be a horror show. The truth is never that simple to describe and there is often never one truth, particularly about a culture. Culture is not absolute, nor is it static. The truth for me is that the wedding was one of the most significant experiences of the trip and to avoid writing about it would be a shame. That said, it has taken me a long time to sit down and commit it to words and I am doing so knowing that I'm not doing it justice.
The wedding was beautiful to see and it was haunting. I think that the images of the bride's gloomy face and demeanor as well as the vision of the two girls sitting in the dark under a blanket will stick with me longer than the photos I print of the spectacular beauty of all of the people celebrating these three girls' different rights of passages.